The list includes a few who lament for not being in IIT, a few who have already passed out from this institute, some fools who missed it for something that in any case would be petty before it, some who just dabble through this litter of mine and my many friends from other IITs. A word of caution: It's going to be long but I'll try my best to make it as interesting & picturesque as possible.
Just to introduce about PAF to the ignorant souls, PAF stands for Performance Arts Festival. These are dramatic shows of huge scale and budget (not very sure but somewhere around 50k) with each PAF organised by 2-4 hostels. PAFs are seen as one of the biggest events at IITB and the hostels which lift the PAF trophy don't leave any opportunity to show their pride and abuse to the losers.
Deja Vu starts with a regular scene of how parents urge their children (in this case, a guy named Sonu) for taking JEE (IITs being one of the most promising institutes in terms of getting a good job and adding to their own reputation). Sonu works hard and faces a lot many expectations from his family, peers, girls and the old. The result finally comes negative and he finds that his parents have given up on him; he also faces insult from others. He just couldn't take it anymore and he commits suicide. The prod work is amazing with OAT (Open Air Theatre) in the centre and the IITB main road in the background.
The whole scene was carried out by an odd 12-15 people on a continuous and rotational basis; they served both as different characters in different scenes and as the objects of use as and when they come. Only 2 characters (Sonu and his father) were kept constant and the rest exchanged positions as friends, relatives, computer keyboard, gate, seat, questions of JEE paper and what not! The swift rotation of positions and designations was just mind-blowing and was the first hint of a great PAF in its unfolding.
The second sequence is about a guy named Dumdum talking to his own self (heart/soul) about his failure at IIT (3 backlogs, lying to family, lost purpose etc.). Dumdum and Sonu are from the same town/city and it was Dumdum's father who bashes Sonu's father in the first scene when Sonu fails to clear JEE. He is one regular proud father of an IITian and as is in most of the cases, a regular mis-conceived father as well. Dumdum sees many issues with the students, their dreams & goals and thinks of making a PAF on these which his self flatly denies.
This guy is called by his BTP guide and the later sincerely tries to uncover the problems and also offers help to Dumdum for passing his course and BTP. There is a short appearance of a Cracku whom Dumdum hates/is jealous of. The scene shows so simple but so-true thoughts going on in Dumdum's mind when he talks to the Prof and when he sees Cracku. The scene was like a mirror - reflecting the self of almost everyone sitting in the audiences to some or other extent.
A number of symbolic gyrations were fused into the middle of the PAF showing the guy unable to realize his purpose of existence - credit given to people and society who are but an obstruction in understanding the purpose of his existence and realizing it.
In another scene, character sketches of 2 of his friends are drawn. One of them is a mediocre guy (who claims to share the dream of making big drams one day) whereas the other (Laddoo) is below-average guy (worried on the girlfriend front). The two dramatic dreamers (Dumdum and mediocre guy) have also submitted one of their works to Prithvi Theatre and are waiting for result.
The PAF here takes a turn with showing the making of a PAF within the PAF by 4 hostels combined - 1,4,9 & 11 (11 being the girl's hostel). Things like despogiri of an IITian male (and gleams of hope from a PAF with girl's hostel involved) and typical subjects of PAFs (freedom, riots, kingdoms or other contemporary issues) were sarcastically dealt with. And here begins the mockery of the previous PAFs of this year and of the yesteryears as well (they didn't even leave Kasturi - H4's last year's PAF which was universally criticized). Then begins the visualization and script writing of the PAF team – it is about a kingdom with all types of shady people from the king to the aam aadmi.
At this point, I would like to mention Anshul Singhal's (I think the main person behind this PAF) studgiri. While the PAF team was visualizing the scenes of kingdom, they realize that an IITB PAF has to have choreo (dance) sequences and then they visualize having a salsa (sarcastically opposite to the kingdom PAF). A person there actually misses a step and also confuses the nearby couple and requests the sound box to replay the music. Now, I understand that a lot of effort is put into these things but asking for a replay in front of a crowd of 1000s can be nothing short of foolishness. And from nowhere, Singhal jumps into the sound box and shouts impromptu in the mike, "Band karo. Yaar, yeh choreo waale to hameshaa aise bhi puch hi maarte hain. Nikal jaao yahaan se (Stop it. The dance people always fail in performing up to the mark. Get out)." And the choreo junta walked out without it becoming a real puch. In one word, it was God-giri.
In the next scene, our failed guy meets a psychiatrist (our Student Councilor) who tries to pacify and assure him of himself through various psychiatric techniques. But Dumdum doesn't feel what she says from within. And then enters our Cracku. Our guy is all :-O to find Cracku too coming for the psychiatrist's help who tells Dumdum that Cracku suffers from some Narcissistic Disorder. And our guy is suddenly all happy - Wow! Even Cracku has problems and even he is lost.
All said and done, it still stands as the best PAF I have seen in IITB. A formal thanks to Hostels 1, 4, 9 and 11 for giving us such a performance before we pass out of this institute - there could be no better ending to these big dramatic projects and performances as far as we are concerned.